Homophobia is a crime!
Raffaele Ciotola was born in Naples on
the 17th of October 1964. His loving and receptive family promoted his
studies and supported supporting his artistic nature.
He obtained the
Artistic High School School graduation and got the Master of Arts degree
at the state institute of Arts "F.Palizzi" in Naples in 1983.
Since he was a boy he has been devoting his life to painting in a professional manner; after his debut in 1980 at an exhibition in his hometown, he kept on taking part in other collective and personal exhibitions set up in several Italian cities until 2002 (Piano di Sorrento, St. Anne in Naples, Milano, Viterbo, Milan).
Since he was a boy he has been devoting his life to painting in a professional manner; after his debut in 1980 at an exhibition in his hometown, he kept on taking part in other collective and personal exhibitions set up in several Italian cities until 2002 (Piano di Sorrento, St. Anne in Naples, Milano, Viterbo, Milan).
He was awarded the gold medal at the
National Biennial of Sacred Art in Torre del Greco in 1980 by prof. Mr
Franco Girosi, a famous Neaolitan artist of the last century.
It was
foundamental for his training, the meetings with prof. Mr Franco Girosi
and with Mr Luigi Signore, an artist known as one of the best sculptors
of cribs in Italy today. He studied music and attended the voice class
at the Conservatory of Naples, but the meeting he had in Rome in 1987
with Master Mr Renato Guelfi, opera singer and painter, was so crucial
to his professional growth that he started performing as a singer in
some Italian theatres (Lecce, Santa Maria di Leuca, Ronciglione, Villa
Pignatelli in Naples).
He got to obtained some rewards such as: the gold
medal in "La Triade" Prize, Palazzo Sormani - Sala del Grechetto -
Milano; the diploma of honor at St. Anastasia, Naples. His personal
exhibition in Tuscia dates back to 2002 , in this occasion he exhibited
for the first time at the Sala Anselmi in Viterbo.
His painting style and production are characterized by an intense use of colours and by the chiaroscuro effects conveying a whole creative freedom and a boundless vital energy, without hiding any strong and eloquent emotion, leaving the viewer a hope, a light , the one that leads beyond any solitude and that blurs roles and social conventions.
His painting style and production are characterized by an intense use of colours and by the chiaroscuro effects conveying a whole creative freedom and a boundless vital energy, without hiding any strong and eloquent emotion, leaving the viewer a hope, a light , the one that leads beyond any solitude and that blurs roles and social conventions.
In fact, from the
late 90s, his work is more focused on topical issues and feels the
effect of his civil commitment against homophobia and discriminatory
behaviors, so it became a vehicle to spread some nonconformist messages,
even inspired by universal ethical values.
In 2003 he created the
artistic movement called "Stop Homoph Art" which aims to spread the
culture of respect and fight against homophobia. From this battle, "The
Madonna of the homosexuals" came to life, it became the emblematic work
of his production and will be exhibited for the first time in the foyer
of the Mercadante Theater in Naples on the 18th of October 2014.
So
his
landscapes and his dreamlike hermetic metaphysical views of the first
period, they have been gradually replaced by works full of reflection
and judgment which are well received by public and by critics,
attracting the attention of Mr Jean-Louis Cougnon, Chief Excecutive at
General Managment of European Parliament.
Prof. Ms Michela Marconi Demaldè
THE MADONNA OF THE HOMOSEXUALS
IN MEMORY OF THE HOMOSEXUAL VICTIMS MURDERED BY THE NAZIS
The main character of my work is Mary, whom I portrayed not as a religious figure, but as the timeless historical mother symbolizing immense love - the kind that accepts, protects and supports every single human being unconditionally and without distinction. The Madonna not only embraces in a single gesture Jesus the Child, but all humankind, represented by the terrestial globe she holds in her hand. Her loving gaze is not only directed at her Son but also embraces all those sons who are homosexuals, represented by gay male and female symbols which the child Jesus clasps in his hand.In order to bind even more closely the madonna to her homosexual children, I chose the same heraldic symbols above her head using the colours of the Gay flag and two bouquets. Those very flowers have two meanings:the one means happiness for homosexual unions whilst the other is in remembrance of all those homosexual victims who tragically and unjustly met their death. I mean all the victims who are officially registered in the documents but have been forgotten for too long. The nazi victims especially, who suffered discrimination and fear of gender difference caused by ignorance and the fact that homosexuality is a condition and not a choice. Society has ignored for too long who the "pink triangles" were and it seems that the gay community has also forgotten today. With this work, I would like to awaken the memory of so much suffering and also stir the consciences of all concerned by offering this token of remembrance through the holy Lady which I have portrayed. I am convinced that no other than she could express the suffering of all those families who lost their sons only because they happened to be 'different'. Many things are slowly changing today in many countries . The GLBT community is gradually becoming more and more respected thereby restoring the hopes and dreams denied so cruelly to the homosexual victims of Nazism. In my simbolic portrayal, Mary is the mother of humankind, oblivious to differences, dispensing her Love to all.
The pictures of the Madonna of the Homosexuals and of the painter Raffaele Ciotola may be used only for the purposes of spreading the ethical and spiritual values expressed above and in no other way.
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